CHAPTER ELEVEN — THE WITNESS AT THE GATE
Gabriel arrived the next morning with Louisa Bell and a physician named Dr. Miriam Ellis.
Ellis had examined the apprentice who became sick at the Cherry Street Hotel and understood that a few hours of exposure could not establish the cause of every illness.
She came because the symptoms described by Odessa deserved a serious hearing.
Gabriel brought the glazed fragments and a written account of his workshop observations.
Louisa brought the hotel bowls and the names of other buyers who had received the disputed wares.
None of them arrived expecting Ambrose to welcome them.
Pike stopped their wagon at the front gate.
“The estate is closed to visitors.”
Gabriel remained in his seat.
“Then ask Mr. Whitmore whether he wants his buyers to hear why we were turned away.”
Pike looked at the people gathered along the drive.
Two creditors had already arrived.
Their horses stood beside a carriage bearing the name of a Macon merchant.
Pike’s jaw tightened.
He sent a boy toward the house.
The visitors waited in plain view.
Elijah watched from the stable while Odessa and Hester stood near the kiln.
He had arranged with Thomas to leave an unglazed bowl on the gatepost as a simple signal that the group had arrived intact.
He did not need a code or a secret message.
He needed the others to know the witnesses were present.
Ambrose emerged from the house wearing a dark coat and the smile he reserved for creditors.
He greeted Louisa by name and pretended surprise to find her there.
“How unfortunate that my household disagreements have troubled your hotel.”
“They have troubled my guests,” Louisa answered.
“And that trouble will be explained before I leave.”
Dr. Ellis stepped forward.
“I am prepared to examine the dishes and the people who describe illness after using them.”
Ambrose looked at her black medical bag.
“This is an estate matter.”
“Then you should want an accurate record of the goods you intend to sell.”
A creditor named Mr. Sutter climbed down from his carriage.
“What goods?”
Ambrose turned toward him.
“Old pottery stock.”
Sutter frowned.
“You represented that stock as sound merchandise.”
“It is sound.”
Gabriel placed a chipped yellow bowl on the carriage step.
“Then drink vinegar from it while the glaze dissolves beneath your hand.”
Ambrose’s smile disappeared.
“You are trespassing.”
“I am standing on the road,” Gabriel replied.
The creditor studied the bowl.
“Why would anybody sell this for table use?”
Ambrose looked toward Pike.
Pike understood the glance and began moving toward the kiln.
Elijah stepped out from the stable before the overseer could reach the side path.
“Those goods are being kept in a lower chamber,” he told the visitors.
“And the people who made them are standing beside the kiln.”
Pike reached for him, but Sutter raised a hand.
“I would like to hear what this man has to say.”
Ambrose opened his mouth to object.
Sutter looked directly at him.
“You asked me to extend credit against stock you said could be sold this week.”
“If it cannot be sold, I want to know before I sign another note.”
Elijah understood that the creditor did not suddenly care about the people at Whitmore.
He cared about money he might lose.
For this morning, that concern gave Elijah a place to stand.
He turned toward Odessa.
“Bring the workers who remember the kiln.”
Pike shouted at him to be silent.
Odessa began walking toward the drive.
Thomas followed her, then Asa and Hester.
Their movement did not resemble a parade.
It was simply four people crossing a yard they knew better than anyone else.
Catherine watched from an upstairs window.
Miriam had managed to leave her door unlatched during breakfast, but guards remained below the stairs.
Catherine could have remained in the room and later claimed she had never approved the confrontation.
Instead she opened the window and called to Sutter.
“I am the owner of this estate.”
Every head turned upward.
“I request that you hear the people who made those dishes before you take a single crate.”
Ambrose looked up at her with undisguised hatred.
Catherine stayed at the window.
She knew her words alone would not free anyone.
But they might prevent Ambrose from sending Pike into the kiln with a torch before witnesses reached it.